Treasury Will Not Mint $1 Trillion Coin to Raise Debt Ceiling





WASHINGTON — The Treasury Department said Saturday that it will not mint a trillion-dollar platinum coin to head off an imminent battle with Congress over raising the government’s borrowing limit.


“Neither the Treasury Department nor the Federal Reserve believes that the law can or should be used to facilitate the production of platinum coins for the purpose of avoiding an increase in the debt limit,” Anthony Coley, a Treasury spokesman, said in a written statement.


The Obama administration has indicated that the only way for the country to avoid a cash-management crisis as soon as next month is for Congress to raise the “debt ceiling,” which is the statutory limit on government borrowing. The cap is $16.4 trillion.


“There are only two options to deal with the debt limit: Congress can pay its bills, or it can fail to act and put the nation into default,” Jay Carney, the White House press secretary, said in a statement. “Congress needs to do its job.”


In recent weeks, some Republicans have indicated that they would not agree to raise the debt limit unless Democrats agreed to make cuts to entitlement programs like Social Security.


The White House has said it would not negotiate spending cuts in exchange for Congressional authority to borrow more, and it has insisted that Congress raise the ceiling as a matter of course, to cover expenses already authorized by Congress. In broader fiscal negotiations, it has said it would not agree to spending cuts without commensurate tax increases.


The idea of minting a trillion-dollar coin drew wide if puzzling attention recently after some bloggers and economic commentators had suggested it as an alternative to involving Congress.


By virtue of an obscure law meant to apply to commemorative coins, the Treasury secretary could order the production of a high-denomination platinum coin and deposit it at the Federal Reserve, where it would count as a government asset and give the country more breathing room under its debt ceiling. Once Congress raised the debt ceiling, the Treasury secretary could then order the coin destroyed.


Mr. Carney, the press secretary, fielded questions about the theoretical tactic at a news conference last week. But the idea is now formally off the table.


The White House has also rejected the idea that it could mount a challenge to the debt ceiling itself, on the strength of the Fourteenth Amendment to the Constitution, which holds that the “validity of the public debt” of the United States “shall not be questioned.”


The Washington Post earlier published a report that the Obama administration had rejected the platinum-coin idea.


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S.F. mourns a twin with a passion for fashion









SAN FRANCISCO — They were known simply as the San Francisco Twins.


At 5-foot-1 and about 100 pounds apiece, the fashion enthusiasts were an integral part of the city fabric for four decades. With matching furs, hats and high-end purses, they completed each other's sentences, posed for countless tourist snapshots and modeled for the likes of Reebok, Joe Boxer and IBM.


Now one is gone.





Vivian Brown, 85, who had Alzheimer's, died in her sleep Wednesday, leaving behind Marian, who was eight minutes younger. The illness, and news of the twins' financial distress, brought an outpouring of support from city residents in recent months.


Donations managed by Jewish Family and Children Services helped Vivian move into an elegant assisted living facility in Lower Pacific Heights and provided for a car service so Marian could visit "as much as she wanted to," Development Director Barbara Farber said. "The community really responded.…It's been a beautiful thing."


At a benefit concert for the twins in August, the Go-Go's Jane Wiedlin and other musicians honored Marian. Cash flowed in to cover her meals at Uncle Vito's Pizza on Nob Hill, long one of the ladies' regular haunts.


On Friday, fans offered collective condolences as they swallowed some bitter medicine: The sightings that brought joy to many — of the twins in leopard-print cowboy hats parading up and down Powell Street and window shopping at Union Square — are forever a thing of the past.


In saying goodbye to Vivian, the city has ushered out an era of style.


"All of that has gone, and that's true of all cities," said Ann Moller Caen, the widow of Pulitzer Prize-winning San Francisco columnist Herb Caen, who wrote often about the twins. "They've lost the elegant few."


Mayor Ed Lee echoed residents' grief in online postings throughout the day, saying that "San Francisco is heartbroken" over Vivian's passing and was "fortunate to have called her a true friend."


The twins, who were born in Kalamazoo, Mich., and held degrees in business administration, moved to San Francisco in 1973, prompted by Vivian's chronic bronchial condition. Once on the West Coast, Vivian became a legal secretary and Marian worked at a bank.


But fashion was their passion, and they cut a striking double image.


There were the fitted white suit jackets with pleated skirts, veiled hats and white fur coats; the red wool Ellen Tracy suits with black felt hats and black gloves.


"When you first came to the city and saw them, you might think it was a little joke. But it really wasn't," Caen said Friday. "They were very warm and very pleasant to everyone, and they just loved Herb. And he loved them."


Evelyn Adler recalled that her father, who sold shoes at the Emporium on San Francisco's Market Street in the 1970s, had regularly waited on "the girls," as he called them.


"They were always at the very height of sometimes ridiculous fashion," said Adler, 82. Her father, she said, had talked of how years of wearing pointy shoes left the twins with overlapping toes. (They later embraced lower heels that were "much more suited to their feet," Adler said.)


As a volunteer for Jewish Family Services, Adler recently shopped for a new wardrobe for Vivian — and was taken aback by the sight of the twins in separate outfits. About a quarter-century ago, the twins admitted to an interviewer that after a six-month attempt to dress differently in their 20s, they had abandoned the project forever. Even their lingerie matched.


They had their regular haunts, which Marian now frequents solo.


David Dubiner, owner of Uncle Vito's Pizza, said the sisters began coming in nearly two decades ago. They always sat at the table by the window, chatting with tourists for so long that their food had to be reheated.


Vivian often did more talking, Dubiner said, but Marian now holds court for two.


On Thursday evening, Marian arrived alone at the Sir Francis Drake Hotel on Union Square to "have a glass of champagne and toast her sister goodbye," said Tom Sweeney, chief doorman at the hotel who for the last 37 years watched the twins descend the four blocks from their Nob Hill apartment.


"They're quite the personalities of San Francisco," Sweeney said. "We'll definitely miss Vivian."


lee.romney@latimes.com





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Wired Science Space Photo of the Day: The Star Factory


This is a near-infrared, colour-coded composite image of a sky field in the south-western part of the galactic star-forming region Messier 17. In this image, young and heavily obscured stars are recognized by their red colour. Bluer objects are either foreground stars or well-developed massive stars whose intense light ionizes the hydrogen in this region. The diffuse light that is visible nearly everywhere in the photo is due to emission from hydrogen atoms that have (re-)combined from protons and electrons. The dark areas are due to obscuration of the light from background objects by large amounts of dust — this effect also causes many of those stars to appear quite red. A cluster of young stars in the upper-left part of the photo, so deeply embedded in the nebula that it is invisible in optical light, is well visible in this infrared image. Technical information : The exposures were made through three filtres, J (at wavelength 1.25 µm; exposure time 5 min; here rendered as blue), H (1.65 µm; 5 min; green) and Ks (2.2 µm; 5 min; red); an additional 15 min was spent on separate sky frames. The seeing was 0.5 - 0.6 arcsec. The objects in the uppermost left corner area appear somewhat elongated because of a colour-dependent aberration introduced at the edge by the large-field optics. The sky field shown measures approx. 5 x 5 arcmin 2 (corresponding to about 3% of the full moon). North is up and East is left.


Image: ESO [high-resolution]


Caption: ESO

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Jazz world mourns Montreux founder “Funky Claude”






GENEVA (Reuters) – Claude Nobs, who founded the Montreux Jazz Festival nearly 50 years ago, has died after several weeks in a coma following a skiing accident, the festival said on Friday.


The Swiss impresario immortalized by rock group Deep Purple as “Funky Claude” in the song “Smoke on the Water” and who lured the biggest stars of the music world to his festival on the shores of Lake Geneva died on Thursday at the age of 76.






“He died peacefully, surrounded by family and close friends,” said a statement issued by the festival, where Mathieu Jaton assumed his duties as director earlier this week.


Nobs launched the summer festival in 1967 while working as an accountant at the Swiss resort’s tourism office. Over the years, his blend of persistence, patience and charm managed to persuade leading lights such as Miles Davis, Ray Charles, Aretha Franklin and Prince to take the stage at Montreux.


But he often had to meet their whims to coax them along.


“I got Miles a Ferrari for him to drive along the lake, Nina Simone wanted a diamond watch and we found the mineral water that Prince likes in Geneva. We always find a way,” Nobs told Reuters last April during an interview at his beloved chalet.


A former festival employee told Reuters on Friday: “He was a shy man but still managed to negotiate. That was his strength and led him to create something huge.”


Nobs fell while cross-country skiing on Christmas Eve near his chalet in Caux, overlooking Montreux, a property that he shared with his longtime partner Thierry Amsallem, who is in charge of digitalizing the festival’s archives of 5,000 hours.


Last year’s two-week festival, which attracted about 250,000 people, featured sold-out concerts by Bob Dylan, American chanteuse Lana Del Rey and British actor and musician Hugh Laurie.


A musical tribute to the people of Montreux is planned in February, in accordance with his wishes, to be followed by events in New York and London this spring, festival board president Francois Carrard told Reuters.


CHALET PARTIES


Nobs threw legendary parties at his chalet, full of vintage Wurlitzer jukeboxes, flat screen TVs and sophisticated sound equipment. Waiters delivered fine food and champagne around a pool with a breathtaking view of the Alps.


A Japanese kimono worn by Freddie Mercury, a print signed by Ron Wood of the Rolling Stones and a larger-than-life bust of Aretha Franklin were among mementoes on display.


Film director Roman Polanski stopped in on his way to see his wife Emmanuelle Seigner perform at Montreux in 2010. Days earlier he had been freed from house arrest in Gstaad after Swiss authorities said they would not extradite him to the United States to face sentencing for having unlawful sex with a 13-year-old girl in 1977.


Herbie Hancock, Van Morrison, Phil Collins and Gilberto Gil have all been regulars at the festival, whose two venues are the larger Stravinski Auditorium and more intimate Miles Davis Hall.


In the mid-1960s, after his first flight on an airplane, Nobs formed a decisive and lifetime friendship in New York with Atlantic Records executive Nesuhi Ertegun, whose father was a former ambassador of Turkey to Switzerland.


“That first time I met Nesuhi, I had no credentials, nothing, something magical happened,” Nobs recalled in his memoirs “Live! From Montreux”, first published in 2007.


Of the first edition, he wrote: “That first festival was obviously when I had to learn a massive amount extremely quickly – from how you deal with one artist arriving whilst the act from the previous night’s show still hasn’t woken up yet, let alone vacated the suite the incoming band are supposed to be going straight into.”


The Deep Purple anthem which dubbed Nobs “Funky” was written about a fire that burned down Montreux casino during a Frank Zappa concert in 1971.


Despite heart surgery some six years ago, Nobs had stayed on as festival director, a position he shared during the 1990s with American producer Quincy Jones who returns each year from Los Angeles to introduce new talent and refers to Montreux as the “Rolls-Royce of festivals”.


Nobs often joined musicians on stage, playing harmonica, sometimes accompanied by his St. Bernard dogs.


The 47th edition is scheduled for July 5-20.


(Reporting By Katharina Bart and Stephanie Nebehay; Editing by Paul Casciato)


Music News Headlines – Yahoo! News





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Former Lab Technician Denies Faulty DNA Work in Rape Cases





A former New York City laboratory technician whose work on rape cases is now being scrutinized for serious mistakes said on Friday that she had been unaware there were problems in her work and, disputing an earlier report, denied she had resigned under pressure.




The former lab technician, Serrita Mitchell, said any problems must have been someone else’s.


“My work?” Ms. Mitchell said. “No, no, no, not my work.”


Earlier, the city medical examiner’s office, where Ms. Mitchell said she was employed from 2000 to 2011, said it was reviewing 843 rape cases handled by a lab technician who might have missed critical evidence.


So far, it has finished looking over about half the cases, and found 26 in which the technician had missed biological evidence and 19 in which evidence was commingled with evidence from other cases. In seven cases where evidence was missed, the medical examiner’s office was able to extract a DNA profile, raising the possibility that detectives could have caught some suspects sooner.


The office declined to identify the technician. Documents said she quit in November 2011 after the office moved to fire her, once supervisors had begun to discover deficiencies in her work. A city official who declined to be identified said Ms. Mitchell was the technician.


However, Ms. Mitchell, reached at her home in the Bronx on Friday, said she had never been told there were problems. “It couldn’t be me because your work gets checked,” she said. “You have supervisors.”


She also said that she had resigned because of a rotator cuff injury that impeded her movement. “I loved the job so much that I stayed a little longer,” she said, explaining that she had not expected to stay with the medical examiner’s office so long. “Then it was time to leave.”


Also on Friday, the Legal Aid Society, which provides criminal defense lawyers for most of the city’s poor defendants, said it was demanding that the city turn over information about the cases under review.


If needed, Legal Aid will sue the city to gain access to identifying information about the cases, its chief lawyer, Steven Banks, said, noting that New York was one of only 14 states that did not require routine disclosure of criminal evidence before trial.


Disclosure of the faulty examination of the evidence is prompting questions about outside review of the medical examiner’s office. The City Council on Friday announced plans for an emergency oversight committee, and its members spoke with outrage about the likelihood that missed semen stains and “false negatives” might have enabled rapists to go unpunished.


“The mishandling of rape cases is making double victims of women who have already suffered an indescribably horrific event,” said Christine C. Quinn, the Council speaker.


A few more details emerged Friday about a 2001 case involving the rape of a minor in Brooklyn, in which the technician missed biological evidence, the review found. The victim accused an 18-year-old acquaintance of forcing himself on her, and he was questioned by the police but not charged, according to a law enforcement official.


Unrelated to the rape, he pleaded guilty in 2005 to third-degree robbery and served two years in prison. The DNA sample he gave in the robbery case was matched with the one belatedly developed from evidence the technician had overlooked in the 2001 rape, law enforcement officials said. He was recently indicted in the 2001 rape.


Especially alarming to defense lawyers was the possibility that DNA samples were cross-contaminated and led to false convictions, or could do so in the future.


“Up to this point,” Mr. Banks said, “they have not made information available to us, as the primary defender in New York City, to determine whether there’s an injustice that’s been done in past cases, pending cases, or allowing us to be on the lookout in future cases.” He added, “If it could happen with one analyst, how does anyone know that it stops there?”


The medical examiner’s office has said that the risk of cross-contamination was extremely low and that it does not appear that anyone was wrongly convicted in the cases that have been reviewed so far. And officials in at least two of the city’s district attorneys’ offices — for Brooklyn and Manhattan — said they had not found any erroneous convictions.


But Mr. Banks said the authorities needed to do more, and that their statements thus far were the equivalent of “trust us.”


“Given what’s happened,” he said, “that’s cold comfort.”


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Business Briefing | Retailing: Best Buy Shares Rally on Improved Holiday Sales



The Best Buy Company had better-than-expected holiday sales, setting off a gain of $2, or 16.4 percent, in its stock price, to $14.21 a share on Friday. The holiday quarter accounted for about a third of Best Buy’s revenue last year. The chain said that revenue at stores open at least a year fell 1.4 percent for the nine weeks ended Jan. 5. The company’s performance in the United States was flat. The chief executive, Hubert Joly, said in a statement that the result was better than the last several quarters. A Morningstar analyst, R. J. Hottovy, said the results showed that some of Best Buy’s initiatives, like more employee training and online price matching helped increase sales.


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Academy doesn't follow the script in directors' race









Ben Affleck and Kathryn Bigelow were behind two of the most acclaimed movies of 2012, the fact-based pictures "Argo" and "Zero Dark Thirty." The smart money in Hollywood had both vying for directing honors at next month's Academy Awards.


Yet when the Oscar nominations were announced Thursday, Affleck and Bigelow were passed over. Instead, two of the five slots went to longshot Hollywood outsiders: a 30-year-old New Orleans artist making his feature debut and an Austrian auteur who has worked almost exclusively outside the English language.


The nominations for Benh Zeitlin and Michael Haneke — whose Louisiana coming-of-age-story "Beasts of the Southern Wild" and French-language old-age drama "Amour," respectively, have grossed only a combined $12 million in the U.S. — had much of Hollywood baffled and buzzing, and trying to come up with an explanation.





PHOTOS: Top Oscar nominees


"I have no theory for it," said Amy Pascal, co-chair of Sony Pictures, which released "Zero Dark Thirty." "I don't understand it — everybody is like, 'What?' She [Bigelow] is the center of gravity of the movie." The director Ang Lee, who did land a spot on the list for his 3-D adventure "Life of Pi," joining Steven Spielberg ("Lincoln") and David O. Russell ("Silver Linings Playbook"), said, "It's shocking. Normally there's a pattern. There's no pattern this year."


Even Michael Barker, the co-president of Sony Pictures Classics, which released "Amour," called it "incomprehensible" that Bigelow wasn't nominated. Bigelow and Affleck had earned nominations in nearly every other major awards group.


Many voters, pundits and Oscar nominees offered up possible explanations for what Oscar watchers regard as one of the more surprising upsets in recent years. Theories included controversy over the accuracy of "Zero Dark's" torture scenes to voters turning to other movies because they thought Affleck and Bigelow were locks, much in the way a political candidate ahead in the polls will generate a low voter turnout.


Some felt that Affleck and Bigelow, whose movies, about the Iran hostage drama of 1979 and the manhunt for Osama bin Laden, were both based on shattering moments in recent history, split the vote; others thought the list reflected a desire for fresh voices. The politics of Hollywood and the peculiarities of awards voting also came in for consideration.


The slight to Bigelow was especially noteworthy because she is the only woman to have won a directing Oscar, for "The Hurt Locker." She may have been damaged by a controversy in which lawmakers, including Sen. Dianne Feinstein (D-Calif.), said the film erroneously suggested torture helped lead to the capture of Bin Laden.


The academy's nominees deviated sharply from the selections of the Directors Guild of America, announced earlier in the week. The DGA is usually a strong indicator of Oscars but only overlapped on two of the five choices (Spielberg and Lee).


LIST: Complete list of Oscar nominees


In past years, academy members often took their cues from the DGA, but this year Oscar voting closed several weeks earlier, before the DGA announced its selections.


It was also hard to avoid the quirks of academy voting. Although the Oscars are considered an overarching seal of quality, the nominations for all but best picture are decided by a small group, known as a branch.


So even though the Directors Guild of America is composed of nearly 15,000 members, the academy's director branch is far smaller, made up of about 360 people. Voters list their five choices in what is known as a preferential balloting system, with every member being credited with only one vote.


According to Steve Pond, an Oscar pundit with the industry website the Wrap, a director needs just 62 votes to land a nomination — a startlingly small total that can lead to surprising choices.


The median age of the director's branch, according to a study conducted last year by The Times, is 64, making it the second-oldest branch in the academy. That possibly helped "Amour" make the cut because the film deals with aging.


But there were cultural factors at work too.


One Oscar voter, the writer-director Keith Gordon, said in an interview that he put Zeitlin on the top of his ballot because of what he saw as "a trend toward smaller, more offbeat films." Also omitted from the list was Tom Hooper, the winner for "The King's Speech" two years ago, who helmed 2012's splashy "Les Miserables."


OSCARS 2013: Complete list | Snubs & surprises | Ballot | Oscar Watch | Timeline


Joe Cavalier, a TV veteran and member of the branch, said that he was "so tired of the same people getting nominated." He added, "I think people should go for dark horses, and other people that I talk to in the academy feel the same way."





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Canadian Tax Collectors Solve Mystery of Open Source Government



When you think of hotbeds of open source innovation, Canada’s Treasury Board typically doesn’t make the cut. But over the past three years, coders at this slightly obscure Canadian tax-collecting agency have produced something that’s pretty rare in government: a hit open source project.


We’re not talking about the next Linux here, but this summer, the Treasury Board of Canada hosted a CodeFest to invite hackers — mostly government staffers — to hack its Web Experience Toolkit, or WET — a set of open-source tools that the Treasury Board uses for building websites.


One hundred and fifty people came. Many of them were young developers, excitedly swapping code and sharing ideas across tables. To Lucia Harper, a communications consultant at the event who has worked for the Canadian government, it wasn’t your federal coder snoozefest. It looked like the kind of hackathon that you’d see at private companies. There “were pods of people gathered in groups all sporting laptops; giant screens on the walls with Twitter feeds, code demonstrations, style guides and the like,” she wrote in a blog post about the event. “There was a hubbub people. There was a buzz of anticipation and solutions.”


2012 was the year that the U.S. government put the full court press on software developers. As we reported earlier this week, the federal CIO Steven VanRoekel has a vision of a more hackable, more accessible government where code-sharing is far more common — and far more useful.


And this vision is starting to pay off. Over the past few years, government use of the social-coding website, GitHub, has skyrocketed. Today, there are more than 350 government projects hosted there. But the sad truth is that most of this code hasn’t been able to attract a wide group of developers, outside of the folks who were paid to write the original code. That kind of crossover success is the hallmark of a really successful open source effort.


And that’s what’s starting to happen with WET. It already has contributors from 34 federal agencies, but now that’s starting to branch out. “We’ve had contributions from business and even academia,” says Paul Jackson, a web project officer with the Treasury Board. There’s a contributor in Spain, and another who works as a contractor for the City of Ottawa. There are close to 200 contributors in all, but the real number of people who have now participated in the project is surely much larger as many of those official contributors are simply passing along code that others on their team have developed.


With about 30 private sector participants, the project is getting contributions that would have been unimaginable a few years ago.


That means that, for example, the Treasury Board gets the benefits of someone else’s user interface testing. “We’re still evolving with learning how to do user experience and improving the useability of our website,” Jackson says. “But there are a lot of firms out there that are dedicated to that very purpose. And if they can share their testing results and get involved and help us with improving our designs, it can make the product better as a whole.”


Down in New York State, Luke Charde says he’s using the success of WET to try to sell his colleagues on the idea of doing more open source development. “That’s my vision for what I want to do across different agencies in New York,” says Charde, a user-interface design lead with New York’s Office of IT Services. As he sees things, WET is a runaway success. Among GitHub’s government pages, at least, it’s “one of the first examples of massive collaboration happening and savings,” he says.


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‘Argo,’ ‘Silver Linings Playbook’ win at Critics Choice






(Reuters) – Ben Affleck’s Iran hostage drama “Argo,” “Lincoln” star Daniel Day-Lewis and “Zero Dark Thirty”‘s Jessica Chastain were among big winners at the Critics Choice Movie Awards on Thursday, taking honors for best picture, actor and actress, with Affleck nabbing the prize for best director.


The all-star “Silver Linings Playbook” swept the comedy awards, winning best comedy film, best comedy actor for Bradley Cooper and best comedy actress, which went to Jennifer Lawrence.






The 250-member Broadcast Film Critics Association, the largest film critics organization in the United States and Canada, also gave the film its best acting ensemble prize at the event in Santa Monica, California.


Affleck, known mostly as actor and who was overlooked for directing “Argo” earlier on Thursday when the Academy Award nominations were announced, began his acceptance with the quip: “I would like to thank the academy,” before adding “I’m kidding. This is the one that counts.”


Day-Lewis won for his acclaimed performance in the title role of Steven Spielberg’s historical drama “Lincoln,” while Chastain took the prize for “Zero Dark Thirty,” about the hunt for Osama Bin Laden.


It was one of only two awards for “Lincoln,” which led the Oscar nominations with 12. The Oscar runner-up, “Life of Pi,” won only two technical awards.


Lawrence took home two awards, also winning best actress in an action movie for “The Hunger Games.”


“Critics aren’t so bad,” she said as she accepted the award, later riffing on the line when she won her second award, for “Silver Linings Playbook,” saying “Seriously, I love critics.”


Many stars who were nominated just hours earlier for Oscars, Hollywood’s top honors, were on hand, including “Les Miserables” star Hugh Jackman, Robert De Niro and Anne Hathaway, who won the award for best supporting actress for “Les Miserables.”


Best supporting actor went to Philip Seymour Hoffman for “The Master.”


Director David O. Russell dedicated the “Silver Linings” award to his son, saying “I made it to give him hope,” adding, “That’s my silver lining.”


European director Michael Haneke’s drama “Amour,” about an aging couple struggling with failing health and mortality and which scored several major Oscar nominations on Thursday, won the award for best foreign language film.


The prize for best sci-fi/horror film went to “Looper,” while “Searching for Sugarman” won best documentary.


The screenwriting awards were won by Quentin Tarantino for his original screenplay for “Django Unchained” and Tony Kushner who adapted the screenplay for “Lincoln.”


British singer Adele’s song “Skyfall” from the James Bond film of the same name won best song, and star Daniel Craig was named best actor in a action film. The film also won best action movie.


Nine-year old Quvenzhane Wallis, star of “Beasts of the Southern Wild” who became the youngest best actress Oscar nominee in history on Thursday, was named best young actor or actress. She accepted her award clutching a pink-cased electronic device, from which she read her speech as she grinned broadly.


The awards were handed out ahead of Sunday’s Golden Globes and a slew of other award shows that narrow the field for the Oscars, which will be held on February 24.


Writer-producer-director Judd Apatow received a special “genius” award created to honor “an unprecedented demonstration of excellence in the cinematic arts.”


(Reporting by Chris Michaud; Editing by Eric Walsh)


Movies News Headlines – Yahoo! News





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The New Old Age Blog: Taking a Zen Approach to Caregiving

You try to help your elderly father. Irritated and defensive, he snaps at you instead of going along with your suggestion. And you think “this is so unfair” and feel a rising tide of anger.

How to handle situations like this, which arise often and create so much angst for caregivers?

Jennifer Block finds the answer in what she calls “contemplative caregiving” — the application of Buddhist principles to caregiving and the subject of a year-long course that starts at the San Francisco Zen Center in a few weeks.

This approach aims to cultivate compassion, both for older people and the people they depend on, said Ms. Block, 49, a Buddhist chaplain and the course’s lead instructor. She’s also the former director of education at the Zen Hospice project in San Francisco and founder of the Beyond Measure School for Contemplative Care, which is helping develop a new, Zen-inspired senior living community in the area.

I caught up with Ms. Block recently, and what follows is an edited transcript of our conversation.

Let’s start with your experience. Have you been a caregiver?

My experience in caregiving is as a professional providing spiritual care to individuals and families when they are facing and coping with aging and sickness and loss and dying, particularly in hospital and hospice settings.

What kinds of challenges have you witnessed?

People are for the most part unprepared for caregiving. They’re either untrained or unable to trust their own instincts. They lack confidence as well as knowledge. By confidence, I mean understanding and accepting that we don’t know all the answers – what to do, how to fix things.

This past weekend, I was on the phone with a woman who’d brought her mom to live near her in assisted living. The mom had been to the hospital the day before. My conversation with the daughter was about helping her see the truth that her mother needed more care and that was going to change the daughter’s responsibilities and her life. And also, her mother was frail, elderly, and coming nearer to death.

That’s hard, isn’t it?

Yes, because we live in a death-denying society. Also, we live in a fast-paced, demanding world that says don’t sit still — do something. But people receiving care often need most of all for us to spend time with them. When we do that, their mortality and our grief and our helplessness becomes closer to us and more apparent.

How can contemplative caregiving help?

We teach people to cultivate a relationship with aging, sickness and dying. To turn toward it rather than turning away, and to pay close attention. Most people don’t want to do this.

A person needs training to face what is difficult in oneself and in others. There are spiritual muscles we need to develop, just like we develop physical muscles in a gym. Also, the mind needs to be trained to be responsive instead of reactive.

What does that mean?

Here’s an example. Let’s say you’re trying to help your mother, and she says something off-putting to you like “you’ve always been terrible at keeping house. It’s no wonder you lost my pajamas.”

The first thing is to notice your experience. To become aware of that feeling, almost like being slapped emotionally. To notice your chest tightening.

Then I tell people to take a deep breath. And say something to themselves like “soften” to address that tightness. That’s how you can stay facing something uncomfortable rather than turning away.

If I were in this position, I might say something to myself like “hello unhappiness” or “hello suffering” or “hello aging” to tether myself.

The second step would be curiosity about that experience. Like, wow, where do I feel that anger that rose up in me, or that fear? Oh, it’s in my chest. I’m going to feel that, stay with it, investigate it.

Why is that important?

Because as we investigate something we come to understand it. And, paradoxically, when we pay attention to pain it changes. It softens. It moves. It lessens. It deepens. And we get to know it and learn not to be afraid of it or change it or fix it but just come alongside of it.

Over hours, days, months, years, the mind and heart come to know pain. And the response to pain is compassion — the wish for the alleviation of pain.

Let’s go back to what mother said about your housekeeping and the pajamas. Maybe you leave the room for five minutes so you can pay attention to your reaction and remember your training. Then, you can go back in and have a response rather than a reaction. Maybe something like “Mom, I think you’re right. I may not be the world’s best housekeeper. I’m sorry I lost your pajamas. It seems like you’re having a pretty strong response to that, and I’d like to know why it matters so much to you. What’s happening with you today?”

Are other skills important?

Another skill is to become aware of how much we receive as well as give in caregiving. Caregiving can be really gratifying. It’s an expression of our values and identity: the way we want the world to be. So, I try to teach people how this role benefits them. Such as learning what it’s like to be old. Or having a close, intimate relationship with an older parent for the first time in decades. It isn’t necessarily pleasant or easy. But the alternative is missing someone’s final chapter, and that can be a real loss.

What will you do in your course?

We’ll teach the principles of contemplative care and discuss them. We’ll have homework, such as ‘Bring me three examples of someone you were caring for who was caring toward you in return.’ That’s one way of practicing attention. And people will train in meditation.

We’ll also explore our own relationship to aging, sickness, dying and loss. We’ll tell our stories: this is the situation I was in, this is where I felt myself shut down, this was the edge of my comfort or knowledge. And we’ll teach principles from Buddhism. Equanimity. Compassion. Deep inner connectedness.

What can people do on their own?

Mindfulness training is offered in almost every city. That’s one of the core components of this approach.

I think every caregiver needs to have their own caregiver — a therapist or a colleague or a friend, someone who is there for them and with whom they can unburden themselves. I think of caregiving as drawing water from a well. We need to make sure that we have whatever nurtures us, whatever supplies that well. And often, that’s connecting with others.

Are other groups doing this kind of work?

In New York City, the New York Zen Center for Contemplative Care educates the public and professionals about contemplative care. And in New Mexico, the Upaya Zen Center does similar work, much of it centered around death and dying.

People who want to read about this might want to look at a new book of essays, “The Arts of Contemplative Care: Pioneering Voices in Buddhist Chaplaincy and Pastoral Work” (Wisdom Publications, 2012).

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